Cadences
The Baroque PeriodThe end of a musical phrase is called a cadence. Harmonically, there are four common types.

An authentic cadence goes from V → I. This creates a sense of finality and completion.

A half cadence ends the phrase on V, creating a sense of incompletion and the expectation that the phrase will continue. It is commonly found at the end of the first half of a phrase, called an antecedent phrase, which is then be followed by a parallel consequent phrase that ends on an authentic cadence.

A deceptive cadence begins like an authentic cadence but goes from V → vi, creating a sense of unexpected incompletion.

A plagal cadence goes from IV → I and is commonly referred to as an "Amen" cadence due to its common use on this word at the end of hymns and chorales.
What cadences are found at each fermata in the chorale below?

